Theaster Gates

Heavy Sketches


September 30 - November 20, 2016

Theaster Gates (b. 1973)

Bronze Power Stack, 2016

Bronze with repurposed stone fragment

16 x 13 1/2 x 15 1/2 inches

40.6 x 34.3 x 39.4 cm

Theaster Gates (b. 1973)

Every Collection Should Have One, 2016

Stoneware with reclaimed wood base

56 1/2 x 10 x 8 inches

143.5 x 25.4 x 20.3 cm

theaster gates sketch of man bronze heavy sketches

Theaster Gates (b. 1973)

Sketch of Man, 2016

Bronze with repurposed stone fragment

14 1/2 x 17 x 16 1/2 inches

36.8 x 43.2 x 41.9 cm

Theaster Gates (b. 1973)

Minor Force, 2016


31 x 21 1/2 x 15 inches

78.7 x 54.6 x 38.1 cm

Theaster Gates (b. 1973)

The Heat Is My Increase, 2016

Wood, roofing substrate, tar

72 1/2 x 48 x 6 inches

184.2 x 121.9 x 15.2 cm

theaster gates folded bird bronze heavy sketches

Theaster Gates (b. 1973)

Folded Bird, 2016

Bronze with reclaimed wood base

40 1/4 x 22 x 13 inches

102.2 x 55.9 x 33 cm

theaster gates heavy sketches

Theaster Gates

The Fall in Heavy Sketches, 2016


15 x 16 x 10 inches

38.1 x 40.6 x 25.4 cm

September 30 - November 20, 2016

Reception Thursday October 6, 5 - 8PM

Richard Gray Gallery is pleased to announce Heavy Sketches, a solo exhibition of new bronze and mixed material sculptures by Theaster Gates. The exhibition begins September 30 and ends November 20, 2016. A reception for the artist will take place Thursday October 6 from 5 - 8 PM. 

Theaster Gates, the Chicago-based artist internationally renowned for his cross-disciplinary blend of social practice, performance, institution building, painting and sculpting, embarks on a new body of work with Heavy Sketches. The bronze sculptures here summon their inspiration from ritual masks originating with Ogoni, Dan, Baule, Bamana, and other Western African cultures, transformed through Gates’s varyingly expressionistic rendering in clay and subsequent casting in bronze. The source objects, sacred tools for accessing truth and knowledge on a cosmological level, provide Gates an opportunity to continue his practice-spanning interrogation into questions of power and access, cultural heritage and historical burdens, and the intertwining of ascetics with aesthetics. 

Forming versions of the wooden masks in ceramic stoneware before casting them in metal, the production of the works tracks an increasing material permanence. Their transition from wood to clay to bronze follows Gates’s investigation into the power of materials as containers for cultural knowing. The subject of the works is what the artist calls “practices concerned with the eternal.” These masks furthermore evoke a history of cultural appropriation including, significantly, the important role West African masks played in the development of twentieth century European modernism. By taking up these masks within his own practice and fusing their material and symbolic valences with evocations of Alabama, Mississippi, Georgia and rural Illinois, Gates contextualizes them in what he calls “a slow deciphering of possibilities through heavy materials.” 

Theaster Gates: Heavy Sketches is the artist’s first exhibition with Richard Gray Gallery and his first exhibition in Chicago since his 2013 presentation of 13th Ballad at the Museum of Contemporary Art Chicago. It also follows the 2014 exhibition Retreat at Richard Gray Gallery and Valerie Carberry Gallery, an exhibition Gates curated of artists from the Black Artist Retreat. Gates currently serves as the Chairman and Founder of the Rebuild Foundation and as Director of the Arts and Public Life Initiative at the University of Chicago, where he also teaches. He lives and works in Chicago.

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