Amagansett Diptych #2, 2007
Oil on canvas
96 x 192 in.
243.8 x 487.7 cm
Amagansett Diptych #2, 2007
Oil on canvas
96 x 192 in.
243.8 x 487.7 cm
Amagansett Diptych #1, 2007
Oil on canvas
108 x 216 in.
274.3 x 548.6 cm
Amagansett Diptych #1, 2007
Oil on canvas
108 x 216 in.
274.3 x 548.6 cm
Scheveningen Black, 1999-2000
Oil on canvas
84 x 168 in.
213.4 x 426.7 cm
Scheveningen Black, 1999-2000
Oil on canvas
84 x 168 in.
213.4 x 426.7 cm
Small House, 1998-99
Enamel over silkscreen grid on baked enamel, steel plates
116 x 116 in.
294.6 x 294.6 cm
Small House, 1998-99
Enamel over silkscreen grid on baked enamel, steel plates
116 x 116 in.
294.6 x 294.6 cm
Elements: 4 Fire, 1990
Pastel on paper
31 1/2 x 31 1/2 in.
80 x 80 cm
Elements: 4 Fire, 1990
Pastel on paper
31 1/2 x 31 1/2 in.
80 x 80 cm
At the Lake, 1978
Baked enamel and silkscreen grid, enamel on steel plates; oil and canvas (45 plates and 2 canvases)
At the Lake, 1978
Baked enamel and silkscreen grid, enamel on steel plates; oil and canvas (45 plates and 2 canvases)

Jennifer Bartlett (American, b.1941) is a painter whose process-oriented works have defined her distinct and shifting style. After earning an MFA at Yale University in the 1960s, Bartlett moved to New York and soon became part of the artistic conversation of the late 60s and 70s. Influenced by Sol Lewitt's, "Paragraphs on Conceptual Art", Bartlett's early work was fastidious and geometric, with abstract subject matter and unpredictable color palette. Over her 50 year career, Bartlett's work has transformed in size, technique, and subject matter.

Bartlett's systematic process is the foundation of her practice. The mystery of her non-romanticized subject matter, such as houses, statues, and strangely familiar landscapes, invite the viewer into an elusive narrative. At times busy and hectic, and others calm and meditative, Bartlett consistently refers to the grid, as with the delicate weaves in her most recent body of work, Amagansett.

Bartlett received her B.A. from Mills College in Oakland, California in 1963, her B.F.A. from Yale University School of Art and Architecture in 1964, and her M.F.A from Yale University School of Art and Architecture in 1965. Her work resides within public collections throughout the world, such as, the Baltimore Museum of Art; the Dallas Museum of Fine Arts; Israel Museum, Jerusalem; the Metropolitan Museum of Art, New York; the Metropolitan Museum of Art, Tokyo; the Museum of Contemporary Art, Chicago; the Museum of Modern Art, New York; the Philadelphia Museum of Art; Rhode Island School of Design Museum of Art; Seibu Corporation, Tokyo; The Tate Gallery, London; the Whitney Museum of American Art, New York; and the Yale University Art Gallery, New Haven, CT.

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Jennifer Bartlett  Amagansett

Apr 18 - Jun 7, 2008 | Chicago

Jennifer Bartlett  New Paintings

Dec 7, 2001 - Jan 31, 2002 | Chicago

Jennifer Bartlett  New Paintings

Mar 4 - Apr 9, 1999 | Chicago

Jennifer Bartlett  December Through January,...

Feb 13 - Mar 13, 1999 | New York

Jennifer Bartlett  Earth

Mar 29 - May 9, 1996 | Chicago

Jennifer Bartlett  24 Hours

Mar 26 - May 10, 1993 | Chicago

Jennifer Bartlett  Elements and Seasons

May 10 - Jun 30, 1991 | Chicago
Chicago Tribune Jennifer Bartlett – May 9, 2008
by Alan Artner
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Philadelphia Inquirer Her Past is Now Her Present, Happily – May 2, 2008
by Edith Newell
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Art in America Bartlett Shows Her Colors – January 2007
by Vincent Katz
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Boston Globe From a Minimalist Approach, Maximum Impact – October 13, 2006
by Ken Johnson
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New York Times One Collection, Many Stories From the Land of Mavericks – May 12, 2006
by Roberta Smith
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